Technology_img1.gif Technology
The approach taken here assumes that the challenge of the times may be associated more with how they are understood rather than what they are understood to be -- more with how they condition, and are determined by, thinking and less with the effects they appear individually to produce.
Technology_img2.gif My Tools
Three Questions that Guide:
1. How am I part of the solution and how does it help me understand the nature of the problem faced?
2. How am I part of the problem and how does it help me understand the nature of the solution required?
3. How do I miss the point entirely and how does it help me understand myself?
10 Hazzards that Temper:
1. You identify with your system. It cost you blood to build it, and if it is attacked, it is your blood that is being shed.
2. You cannot tolerate tentativeness, suspension of judgment, or anything that does not fit the system.
3. You cannot apprehend anyone else's system unless it supports yours.
4. You believe that other systems are based on selected data.
5. Commitment to systems other than your own is fanaticism.
6. You come to believe that your system entitles you to proprietorship of the entities within it.
7. Since humor involves incongruity, and your system explains all seeming incongruities, you lose your sense of humor.
8. You lose you humility.
9. You accept all those points - insofar as they apply to builders of other systems.
10. So do 1. (P.S. I hope I believe in the cult of fallibility)
14 Roles that Remind:
1. We are less rewarded for our involvement in a meeting when we assume that our role has been more central to its processes than when we are able to question its value to other participants.
2. We degrade and pollute the meeting environment more when we assume that any negative impacts of our initiatives on other participants are of little consequence than when we have doubts concerning the ability of the meeting to deal with them.
3. We exhibit a greater degree of ignorance in a meeting when we assume the adequacy of the knowledge we demonstrate than when we question its validity from the perspectives of other participants.
4. Our contributions are less nourishing and enlivening to other participants when we assume that they are naturally fruitful than when we question their fruitfulness to others.
5. We contribute more to the mismanagement of a meeting when we assume that our favoured procedures are the most useful to other participants than when we have doubts concerning their efficacy for others.
6. We are less productive in a meeting when we assume we are responding productively to other contributions than when we have doubts concerning the contribution of our efforts to the productivity of other initiatives.
7. We are more threatening to other participants when we assume that our role is not experienced as intimidating and discriminating by some than when we question how others may be threatened by our actions in the meeting.
8. We bring more malaise to a meeting when we assume that we are paragons of well-being than when we have doubts concerning our degree of health in the eyes of others.
9. We are more exploitative in a meeting when we assume that our initiatives do not impoverish the experience of other participants than when we question this possibility.
10. We make more inappropriate contributions to a meeting when we assume that they are naturally appropriate than when we have doubts concerning their degree of appropriateness to other participants.
11. The representation of reality that we endeavour to communicate to other participants is experienced as more incoherent when we assume that it offers unique integrative advantages than when we question whether this may be the case for others.
12. We are more effective in turning cultural and religious celebrations into meaningless rituals when we assume that they are not experienced as such by some than when we question why this may indeed be the case.
Technology_img3.gif Mind Manager
See related topics and documents
Technology_img4.gif Copernic Summarizer
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Technology_img5.gif Grokker
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Technology_img6.gif Data Mining
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Technology_img7.gif The Process
The value of computer systems will not be determined by how well they can be used in the applications they were designed for, but how easily they can be fit to cases that were never thought of.
The effective use of technology does not lie in the automation of the past.
My Interests:
Pursue a joint PhD in Emergent New Media at the CEADS.
Specific Interests: Knowledge Cartography and Ecology.
A key question is whether valuable insights into complexity, vital to governance and self- governance of social processes, may only be representable and comprehensible through presentations of an essentially artistic nature. It is then their aesthetic properties that have valuable ordering and integrative functions. Given the well- demonstrated weaknesses of current international policy- making, it would be unwise to assume that this is not the case.
I hope in part to demonstrate the feasibility of enhancing comprehension, and navigating complexity, using features uniquely dependent upon the riches and subtleties of artistic insight. The concern here is with the design of a flexible architecture to demonstrate how the power of both "scientific" and "artistic" approaches may be integrated to enhance comprehension and navigation of complexity -- as well as offering new forms of creativity in response to complex conditions.
I hope to develop the software (iMap) and process necessary to the new disciplines implied above.
These complementary tools involve a variety of overlapping research challenges. The proposal focuses on developing application of tools rather than on the tools themselves.
The proposed research would explore and specify a suite of 18 complementary modules which can enhance community dynamics and the sharing of information between people in local communities under a variety of conditions.
The immediate research goals would be to review, examine, test and augment relevant existing software in a variety of community environments. Much of this work would build on existing initiatives and interests of the proposers.
Technology_img8.gif iBridge
operating in a bridging mode to link specific features of the artistic representation (eg points, lines, shapes, etc) to data elements (whether records or files), thus effectively setting up a a new environment combining the "artistic" and "database" modes;
Technology_img9.gif iDig
operating in a database mode to build up relational data files;
Technology_img10.gif iMap
"The map is not the territory." -Korzybski
"A map has no vocabulary, no lexicon of precise meanings. It communicates in lines, hues, tones, coded symbols, and empty spaces, much like music. Nor does a map have its own voice. It is many-tongued, a chorus reciting centuries of accumulated knowledge in echoed chants. A map provides no answers. It only suggests where to look: discover this, reexamine that, put one thing in relation to another, orient yourself, begin here...Sometimes a map speaks in terms of physical geography, but just as often it muses on the jagged terrain of the heart, the distant vistas of memory, or the fantastic landscapes of dreams."
operating in an artistic mode to create, manipulate and contemplate colours and shapes (possibly drawn from a figure library), possibly over time and in relation to sound;

 
 
 
   
... Against     other people's maps
    (Reproduced from: Russell Hoban. The Lion of Boaz-Jachin and Jachin-Boaz.    London, Picador, 1974 p.121).
   
 
   
"... Boaz-Jachin     doubted that his father's map would be of any use to him. He had     remembered it as large and beautiful.
   
Now he thought     of it as small and cramped, too neat, too calculated, too little cognizant     of unknown places, of the night places waiting beyond the day places, of the     somewheres dropping from the open wombs of nowheres. He felt lost as he had not     done since being with the lion.
   
'Maps,' he said     softly. 'A map is the dead body of where you've been. A map is the     unborn baby of where you're going.
   
There are no maps.     Maps are pictures of what isn't I don't want it.'
   
'That's beautiful,'     said the girl '"There are no maps " What don't you want ?'
   
'My father's map,'     said Boaz-Jachin. 'That's good,' said the girl. 'Is it yours ? Do you     write ? It sounds like the beginning of a poem: "My father's map is..." What is it ?'
   
'His,' said Boaz-Jachin.     'And he can keep it.'
   
Technology_img11.gif iNavigate
operating in a navigational mode in which the artistic features can be perused and interrogated to reveal any data that they are effectively "holding". It is in this mode that creativity and insight are triggered by interaction with the aesthetically configured display.